Steven Lustig

This art is born out of a love for the human form and its natural motion

Throughout time, humans have studied virtually every aspect of themselves in great depth. These sculptures are founded in the very basis of the ancient tradition of human anatomy dating back to the Greeks who believed the human form was the most important subject for artistic endeavor.

The sculptures incorporate aspects of human motion that started with Kouros figures and developed during the Italian Renaissance. These modern versions of ancient art classics are further influenced by the works Italian Futurists Umberto Boccioni and Giacomo Balla.

Each one of the sculptures comes directly from life drawing. Live observation brings the art of human motion and internal energy into the process. At once ancient and modern, the sculptures capture the flow and emotional qualities of beautiful human beings.

Steven Lustig has been drawing since the age of four. When he was eighteen he was given a copy of Grey’s Anatomy which changed the course of his life, drawing human anatomy for business and fine art. He has been sculpting stone for twelve years and has continued to draw throughout his lifetime, producing over 10,000 figurative art drawings.

Find Steven's art on Saatchi Art  and Singulart

 Steven with his masterpiece Belle Anatomia after Vesalius
This Carrara marble sculpture represents his lifelong study of how 
the human form deconstructs as it flows through space


“Everything I’ve done in my career has prepared me to run an art technology business.”

Meet Tina, the CBO of Steven Lustig Fine Art. She has extensive experience in technology Mergers & Acquisitions, Business Transformation, Project Management, Channel Partners and Operations Management. Tina has a BA in Mathematics & Computer Science from the University of Illinois Urbana-Champaign. She left the software technology world in 2019 to fulfill a lifelong dream of running the art business of Steven Lustig Fine Art. Through years of working in M&A and a deep understanding of database design and supply chain, Tina created an online portfolio of over 1000 Steven Lustig works based on ArtCloud, a website that is automatically updated when new works are added, and is selling Steven Lustig’s work on Saatchi Online and Singulart in addition to direct-to-consumer.

Tina is a writer of poetry and sonnets and has published two books of poetry. In 2020 Tina started painting with watercolors and acrylics and is currently an oil painter. She is influenced by the Bauhaus Masters (Wassily Kandinsky and Paul Klee), the Abstract Expressionists (Joan Mitchell and Elaine DeKooning) and Claude Monet. Tina is available as a consultant on Art Portfolio and Management design for collectors and galleries.

Steven Lustig Fine Art Behind the Scenes

Watch Steven creating new stone sculptures in his studio at Chiarini Marble and Stone in the Santa Ana Arts District in Southern California. Steven uses the finest carving tools including an Italian waterfall dust collection system.

Steven Lustig at Freeman Fine Art in Santa Fe, NM

Steven's two life-size works in Carrara Marble are now at Freeman Fine Art in Santa Fe, NM. Moon Goddess and Cycladic Totem are in the Freeman Fine Art sculpture garden on Canyon Road, a street dedicated to the country's finest art. Several other works in carrara marble and other stone are available for purchase in the gallery.

Steven Lustig on the Facebook Super Bowl Commercial

Airing for the first time during the 2020 Super Bowl and again during The Oscars 2020, Steven Lustig is on the "Stone Sculptors Club" clip of Facebook's new ad campaign for groups called "Ready to Rock".

This represents the carving away of the negative space in the cubes to create a balance between positive and negative space and how the resulting structure plays with the mass of the cubes.

A modern interpretation of an ancient Greek figure ripped from the earth, hand-carved in Argentinian Onyx on a Honduran mahogany hardwood base.

This work started out as an abstract set of shapes and transformed into two abstract constructive figures in close conversation with each other


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